The Border Crossed Us Exhibition
2019, Bridgeport Art Center, Chicago, IL
Carlos Barberena (b.1972) is a contemporary Nicaraguan self-taught Printmaker best known for his satirical relief prints and the use of images from pop culture, as well as from political and cultural tragedies. In his art, he has consistently reflected on the cycles of repression and resistance and its relationship to the Diaspora in which he has lived, throughout dictatorship, revolution, erasure, renewal, hope, dictatorship and repression.
Carlos Barberena’s prints center these types of life experiences occurring far beyond his country. He creates to counteract the great silence around repression occurring globally believing we are all intimately connected to it. He seeks to demystify the “foreign” experience, to bridge the distances that life across any border or wall produces, but also, the difference in the content of these experiences. He creates to bring awareness to the interconnectedness among them, focusing on injustices of social, political, economic and environmental injustice. At time he evokes with satirical images, at others, through the mundane, unseen things people carry: memories, attachments, relationships and traumas. In each he highlight the myriad cycles of oppression and struggle.
- Academia Non-Grata. Pärnu, Estonia
- AMAC – Galerie d’Art Contemporain. The Triennial Prints Cabinet – Chamalieres, France
- Benedictine University. Lisle, IL USA
- Bibliotheca Alexadrina. Permanent Art Collection – Alexandria, Egypt
- Cannonball Press. Brooklyn, New York USA
- Centro Cultural Antiguo Colegio Jesuita. Taller de Formación y Producción Gráfica, Pátzcuaro, Michoacán, México.
- Colegio Universitario de Cartago. C.U.C. Cartago, Costa Rica
- Fort Wayne Museum of Art. Fort Wayne, IN USA
- Galería Nacional. Centro Costarricense de Ciencia y Cultura, Museo de los Niños. San José, Costa Rica
- Galería Praxis. Managua, Nicaragua
- George Fox University Art Collection – Brandt Fund Purchase – Newberg, OR USA
- International Exlibriscentrum. Stedelijke Musea, Sint-Niklaas, Belgium
- Kyoto International Woodprint Association (KIWA). Kyoto, Japan
- Loyola University Museum of Art (LUMA). Chicago, IL USA
- Museo de Arte Contemporáneo “Julio Cortázar” Sala Latinoamericana, INC, Managua, Nicaragua
- Museo Fundación Ortíz-Gurdián. Colección de Arte Contemporáneo – Casa Deshon, León, Nicaragua
- Museu do Gravura Douro. Douro Printmaking Biennial Collection – Alijo, Portugal
- Museo Lía Bermúdez. Centro de Arte de Maracaibo Lía Bermúdez. Zulia. Venezuela
- Museum of Texas Tech University – Artist Printmaker Research Collection – Lubbock, TX USA
- National Museum of Mexican Art. Chicago, IL USA
- Universidad Nacional Autónoma de México (UNAM). Escuela Nacional de Bellas Artes, México
- University of Colorado at Boulder. Special Collection – Boulder, CO USA
- Wheaton College Art Collection. Wheaton, IL USA
- York College Permanent Art Collection. York College, York, PA USA
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Frijoles y Fusiles
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McShitter
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Chiquita (after Posada)
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No Dapl
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Berta Caceres
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Palestinian Mother
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Undocumented
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No Human is Illegal
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Venus 2.0
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Ofrenda (after Gauguin)
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Les Demoiselles d’Avignon (after Picasso)
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La Catrina
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Madre del Desaparecido (Mother of the Disappeared)
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Jaranero
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The Refugees (After Larraz)
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La McMona (after Da Vinci)
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E Pluribus Unum
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The Four Horsemen of the Apocalypse (After Durer)
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La Mort du Saltimbanque (After Dore’)
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Exodus
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FYW
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Riding The Beast
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When The Owl Cries, An Immigrant Dies
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